Research campaigns in 1967 – 1973
After the precise location of the site was officially confirmed, the relevant institutions in Zadar and Šibenik joined forces in a joint campaign and rapidly removed the finds from the surface layer. October 1967 was an exceptionally tyring but also exciting month. The navy’s assistance was contingent upon the smallest possible number of civilians, who took care to document the site, while military divers extracted the finds. The first photographs were taken and the site was sketched by the already experienced divers Jerko Domančić and Dubravko Balenović.
The next campaign was organized in September 1968. Although much more modestly equipped due to the absence of the Yugoslav Navy, it was at a significantly higher level from the methodological standpoint. Another research campaign followed in September 1972, and the last one in September 1973. All the research campaigns were organized by the Cultural Monument Protection Department in Zadar, under Ksenija Radulić’s supervision. The results confirmed that the objectives set at the very beginning by Ksenija Radulić were more than justified. In the final report for 1973, she therefore stated the opinion “that the value and quantity of data for the history of material culture in the 16th and early 17th centuries make this site valuable at the global level”, and she once more confirmed “that integral research into the ship and the salvage of everything remaining there, including the ship’s remains, must be launched”. Unfortunately, after many years of painstaking struggles to save the site, she was forced to conclude: “Drafting a cost estimate for such an undertaking could only be done by a team of experts, working at least one month. For now, we are not even able to put together such a team, nor pay them”.
Care for the archaeological finds
In 1971, through Ksenija Radulic’s advocacy, the Municipal Council of Biograd na Moru established the Local Heritage Museum, following the tradition of the previous regional museum collection, in which the finds from Gnalic could be stored. The conception for the first display was devised by Sofija Petricioli, the curator and director of the National Museum in Zadar.
All that was left in the time that followed the research campaigns done in 1967–1973 was to care for the finds, and they were saved mostly due to the efforts of Sofija Petricioli, Božidar Vilhar, a conservator/restorer with the Archaeological Museum in Zadar, and his young associate at the time, Ivo Donelli. Thanks to their care, many sensitive finds were put in suitable condition for display in the Local Heritage Museum in Biograd na Moru, while the rest were safely stored in the museum’s auxiliary facilities.